Search Results

choreographer David Bintley, this short piece is one of a series of character sketches exploring facets of the main choreographer David Bintley, this short piece is one of a series of character sketches exploring facets of the main

History relates that he arranged for his unfaithful wife and her lover to be murdered.

O happy the heart who like Hafez Has tasted the wine of creation. Falcon ‘When all is said and done, What have you gained?

The first uses a very short, encircling fragment – a falling semitone rising to a third and then returning

I'd been told there would be a saxophonist there, but I had used such a wide range in the piece that I was very excited by this and could see how technology might be a wonderful aid to creativity, but it

My childhood was defined by music, and it is my mother's love of Shostokovich which has inspired the main The voyage music returns briefly as the background for a joyous recapitulation of the main themes; then

was suggested by Scott’s description of the troops gathering before the battle – a ‘ceaseless march…rising

The first uses a very short, encircling fragment – a falling semitone rising to a third and then returning

without your passing later through fog and stones, without the torch you lift in your hand that others may the light of those flowers, and thanks to your love, darkly in my body lives the dense fragrance that rises

New version first performed in May 2011 at Holy Innocents Church, Highnam, by Crawford Logan and the The new work was first performed in May 2011 at Holy Innocents Church, Highnam, which borders the Forest We foot the rising ground beneath the leaves.

To my delight, she agreed, and I received the text for ‘Spinal Chords’ (her title) in May 2011. commissioned by the Orchestra of the Age of Enlightenment, with funding from New Music 20x12 – a UK-wide

horn, trombone and trumpet representing Diana the huntress, the lascivious Jove, and Juno, his enraged wife