The idea for this collaboration first came about in 2009, when the Coull Quartet approached me about writing a work with Fiona Sampson. The quartet, Fiona and I discussed at length what form the piece might take, and after some months, Fiona sent me three ‘tree’ poems. I felt I could respond to them immediately. Once I started to write the music, though, I realised more poems would be needed, and Fiona created two more to complete the set.
I asked to write for Roderick Williams, and the settings are written very much with his voice in mind. I know Roddy’s voice well, as he created the role of Byron in my opera with Janice Galloway, Monster, in 2002. The songs tend to feature the higher register of the baritone range.
The first poem is set against a string ‘shimmer’ with small solos breaking through. The second is a canon, building in gusts which hover around an unsettled ‘heartbeat’ rhythm in 5/8 time. The central movement is recitative-like, with aggressive chordal interjections from the strings, containing a brief lullaby interlude before the angry mood returns. The fourth song is characterised by wide, searching intervals and pulsing chords. The work finishes with a song accompanied by birdcalls overlapping in a circular canon, with raw rising fifths.
Tree Carols was commissioned by the University of Warwick for the Coull Quartet.
Premiere details
5 March 2014 Coull Quartet with Roderick Williams (baritone) / Warwick Arts Centre, University of Warwick